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No, you are completely misunderstanding my post

> > Aren't the Pacific Microsonic ADC's most valued by mastering engineers for their sound? < <

Yes.

> > isn't it kind of contrary to the philosophy of an archivist, who is presumably seeking the utmost in transparency and leaving no trace whatsoever, to use a ADC which has an associated sound to it? < <

No, the reason that the PM ADC's are valued is precisely *because* they are so transparent and leave little trace.

Since you start with a faulty assumption, your conclusion is also faulty and your questions make no sense.

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