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Music servers and other computer based digital audio technologies.

RE: Wavelength Crimson


"-- Really, the only point I'm trying to make is that once you're talking about "a disservice to the actual sound," or anything similar, you are back into subjective, theoretical territory, and statements like "lowest distortion" no longer belong in the conversation."

Of course it's subjective, otherwise how can we know/agree that it sounds like 'real music'?

sounds like you're saying that as long as the distortion is measured to be lower it has to sound more like the input, irrespective of the impacts on the actual sound of the different types of distortion generated by different types of output devices?

If so, we don't have a basis for further discussion. You can't just measure your way to achieving great sound, IMHO.

clay




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