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General audio topics that don't fit into specific categories.

No, I answered it

Check the second part of my response where I delved into the mechanisms of bias effects and aural memory. We don't have that issue in video or photography because, as was pointed out, we can make side by side comparisons.

And here is a counter question. Why don't we have 10K power cords, 50K video cables, Magic clocks etc etc in professional film/video world? There is no shortage of money. I am around quite literally millions of dollars of camera and sound gear on any given film set. You should see how they pipe the power in. It ain't what you see at an audio show!

Why do you suppose that is?

I think that should give you another hint as to why you don't see people arguing over DBTs in that world.


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