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General audio topics that don't fit into specific categories.

"Accurate" (in audio) might mean different things, depending on the *type* of listening you do.

In my version of audio theory, I like to distinguish between "critical listening" and "recreational listening". In reality, definitions like these ones might refer to little more than capabilities (or, tendencies?) that exist in systems and/or in listeners minds, but I think that they are still worth mentioning.

In the "critical listening" setup, we might be trying to hear objectively (as much as is possible) and the goal is to hear ONLY the info that is actually encoded on recordings.

In the "recreational listening" setup, we might be using recordings as the BASIS for re-enactments or re-creations of sorts, based upon our own recollections or ideas about what "live sound" sounds like.

It is probably true that no type of listening is *pure*, but intentions or tendencies do exist.


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