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RE: What was the "high-end" in 1983?

I chose 1983 because it was just before TAS and Stereophile began to reach a wider audience.

There was Mark Levinson, Counterpoint and CAT; Cotter, Lynn and Sumiko; Infinity, Acoustat, and B&W; Straightwire and Fulton.

A system of those was about $20,000. Close to $150,000 in today's dollars and guess what, every issue of either mag back had letters decrying the high cost of all the components reviewed.

The "high end" will always be out of reach for all but the wealthiest Filberts, but fortunately, the rest of us can go back in time and luxuriate in the "high end" of 10 years ago. What's wrong with that? To me. it's still "high end"

For those with the desire to do better, there is the example of any number of plans available at Diyaudio.com or other sources for schematics and info to build better. During the same time I was building my Single-ended, direct-coupled, CCS'd, parallel-fed, UX-45 amp, I had a parade of KRAudio, Accuphase, Melody, Red Rocks Audio and a few others come through my listening room. The Simple 45, with about $1400 in parts, matched them all except in output.

That was exactly 3 years after I built my first kit, the Bottlehead Foreplay, which I had to send to Dan Scmalle for testing because I was afraid to use DVM probes on a live circuit! If it hadn't been for the pictures, I wouldn't have known the difference between a resistor and a capacitor. Now I are one ;-}




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