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You can believe lies if you want, I instead believe the truth.

"Made up quotes - or quotes from (way) in the past. No-one is saying that now and certainly not *any* audio reviewer, currently. Can you name one ?"

Every single quote is real, wallow in your low resolution CDs, it's OK with me! Every single reviewer I talked to at CES and T.H.E. Show either didn't care much for CDs or hated them completely!

"And no-one de-bunked Lavry. *You* say they did. I'll stick with an engineer who has the experience that neither you (nor SA-CD members) have. And someone that has the credentials to author a white paper."

Reread my post I showed you how we debunked Lavry. You can debunk him too, just compare the 24/96 side to the 24/192 side of any Classic Records DVD-Audios. This is pretty easy to do if you are willing.

Like I said above, if we needed higher sampling rates, we got them starting 20 years ago (where they were needed - in capture). Can you tell us what's wrong with Red Book's specs ?

The paper by Lavry you are so excited about said that 60kHz is the optimal sampling rate, however I and others KNOW that is too low just by the simple act of listening. Red Book CDs roll frequencies off with a brickwall filter, sawing the overtones above 20kHz off, they can never be recovered. Again all one has to do is actually listen to CDs or any other disc from 16/44.1kHz masters to hear why they are UNACCEPTABLE for music. It really is that simple.

Now lets talk about real music on high resolution digital and analog, I am sick and tired of talking about unacceptable 16/44.1kHz, the sooner low resolution dies the better it will be for everyone.



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