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Analogy?

There are no impedance mismatches amongst the scores of pieces of gear in a big recording studio? No uncontrolled resonances, and no RFI problems in Manhattan recording studios? Yet somehow all the stuff those Kubla's excel at revealing got on the tape.

I don't see how any of what you said invalidates my questions/point, but of course I'm open for you to explain why I'm wrong.

Does 600 ohm balanced wire take care of all impedance mismatches and RFI?


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