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Critic's Corner Discuss a review. Provide constructive feedback. Talk to the industry. |
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In Reply to: That's not the point... posted by mkuller on March 3, 2011 at 18:55:11:
"...before HP no one talked about "soundstaging".
He identified it and gave it a name."
HP may have given it a name that stuck, but he was hardly the first to identify it. Lot's of us were familiar with the effects possible with a properly set up system and true stereo recordings. We may not have used HP's terms, but we certainly were looking for the same effects and knew how to fine tune a system to achieve them. This goes back to the early 1960's in my experience. And of course, Blumlein was familiar with these effects in the 1930's.
Around 1960 I was first introduced to stereo at a demonstration in the art gallery of Philips Exeter Academy. Brad Meyer was a student there (one year ahead of me) and a friend of Bill Bell who ran a Hi-fi store in Wellesley, Massachusetts called The Music Box. Brad arranged for a demo, and Bill Bell brought a huge Ampex 350-2 and a pair of Klipschorns, plus some microphones. The gallery had a grand piano and some local musicians provided the source material. As I recall, results with the piano were unsatisfactory until Brad's "condenser" microphone, a Neumann, was used instead of the the other microphones, which I believe were dynamics. Another student who heard this demo was J. Peter Moncrief. We noted the depth of field as well as left right positioning in this demonstration.
Tony Lauck
"Diversity is the law of nature; no two entities in this universe are uniform." - P.R. Sarkar
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Follow Ups
- Nothing original here. This started in the 1930's. - Tony Lauck 03/4/1110:42:07 03/4/11 (2)
- Ahh, J. Peter Moncrieff.... - mkuller 11:00:55 03/4/11 (1)
- RE: Ahh, J. Peter Moncrieff.... - Tony Lauck 11:14:12 03/4/11 (0)
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