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More than that . . .

I understand the *dynamic* limitations of any playback system yet devised.

The first thing a producer/engineer does in the studio is put a peak limiter on the drums, else he can't get them to sound right in his mix.

And I'm here to tell you, as one who plays in symphony orchestras almost daily, most audiophiles would crap their pants if they ever heard the dynamic range of a violin at close range. A trumpet? Forgeddaboutit.




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