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Classical Musicians as Cultural Pioneers

In the wake of the forthcoming issue of conductor Mitropoulos legacy recordings, I read into his biography a bit. Foreign to the U.S., Greek, monkish, homosexual and -- despite ALL of that -- granted leadership positions in Minneapolis and New York (and, almost, Boston) -- at the very least he opened the door for Bernstein, and very likely shaved off some of the unspoken taboos surrounding what is now the "new normal" of LGBTQ culture -- and, by that, I am NOT being sardonic or critical. Water rises to its natural level, and if the complexion of contemporary society is, in reality, different than the controlled media messages of the past century, so be it.

My question is, who else can you name that "cracked open the door" in terms of creating awareness and opportunity for previously disparaged and/or invisible portions of society to gain access to careers in classical music?

I'll start with a couple of not very obvious votes: James DePreist (conductor) and Thomas Quasthoff (baritone).


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Topic - Classical Musicians as Cultural Pioneers - SE 06:36:56 03/13/22 (16)

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