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From Perotin to Prokofiev (and beyond), performed by Caruso to Khatia, it's all here.

We all agree that 60s Columbia Classical sound is, as a rule, not "open."

Nor is the string sound, as a rule, "natural." We all came to those same conclusions in unscientific ways. Different systems and listening rooms, etc. I dare say people would consider it a *fact* that Columbia Classical recordings are sub par. That said, I wouldn't want to be without many of them.

Fair enough?


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