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From Perotin to Prokofiev (and beyond), performed by Caruso to Khatia, it's all here.

So you're claiming that the only way one will pay attention. . .

. . . to spatial cues is by "playing within an ensemble"? Huh?

I suspect that Scott, being on tour with Yuja much of the time, has more live listening experience than either of us (at least over the, say, last decade or so). (EDIT: although until this past March, it was part of my almost-daily routine to be rehearsing or playing with string players in various environments - usually not concert halls however, unless we were making recordings or were in a competition or something similar)


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