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From Perotin to Prokofiev (and beyond), performed by Caruso to Khatia, it's all here.

I'm afraid my experience with classic mono jazz recordings. . .

. . . is not very extensive.

However, if you don't believe that you can hear depth/distance in a mono recording, then I just don't know what to say. "The distance cues [for the localization of sound] are the loss of amplitude, the loss of high frequencies, and the ratio of the direct signal to the reverberated signal." [Curtis Roads. The Computer Music Tutorial. Cambridge, MA: MIT, 2007] These cues are just as available to us on a mono recording as on a stereo or MCh recording.

"It has been shown that human subjects can monaurally localize high frequency sound but not low frequency sound." [Robert A. BUTLER; Richard A. HUMANSKI (1992). "Localization of sound in the vertical plane with and without high-frequency spectral cues". Perception & Psychophysics] Hence, the less restricted placement of subwoofers in one's audio system. ;-)

I mean, you're the one who's always trying to quote research papers to me - maybe it's time to change your belief on this point.


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