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Live music as a reference

"He then goes on to sidestep the issue by arguing that live music can't be a POINT (singular) of reference, then elaborates on the different types of live music (and acoustics) which would seem to undermine any arguments in favor of a single reference or standard. And in fact, I don't argue in favor of a single absolute sound myself! But the fact remains, that there is an absolute sound for an untuned piano in someone's garage, an absolute sound for a Fazioli in a world class concert hall, an absolute sound for a particular type of banjo in a particular pizza parlor, and an absolute sound for a symphony orchestra in a halls as different as Albert Hall or the Barbican in London. I don't even disagree about the fleeting nature of aural memory or the possibility of aural perception being fooled by visual cues. But the fact is that, over time, one builds up a "mental library" of what had been fleeting perceptions - and many of these perceptions have been reinforced (by repetition) for years, even decades (if you're old enough!). Over time, one builds an ACCURATE notion of what various instruments (or singers) sound like in various acoustic environments."

I don't think I side stepped the issue at all. You say it is a "fact" that people build up an aural memory over time. The problem is that library is filled with all kinds of misinformation. A classic example was nicely illustrated by an anecdote told by Dick Pierce over on Usenet. After a classical concert members of the audience were invited to listen to the recording of that concert on a stereo system right after that concert. They were asked to identify the most accurate level of the playback to the original performance. Just accurately recall the original loudness was all they were tasked with. To a person they all over shot by 10 to 15 db. That is just one example of how amazingly inaccurate our aural memory is and our aural perception under sighted biases is. We don't really have a library of accurate aural memories. We have a library of triggers to incomplete aural memories that aide us in recognition of sounds we have heard before. It is very different than true aural memory. Using that as our reference for accuracy to live sound is highly highly unreliable.



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