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General speaker questions for audio and home theater.

Speakers as Venues

In my earliest days as ‘one of us,’ an audio salesman who was in it mainly for the music and so less the salesman than his boss might have preferred, said to me that he was more critical of amplifiers than speakers. (His preference was the C-J Premier 8’s.) ‘Amplifiers can get it dreadfully wrong,’ I paraphrase him as saying, ‘but all (good) speakers are just different concert halls.’ I take this as being a more radical version of what Anthony Cordesman was getting at when he began to call certain speakers “mid-hall.” A way to get us thinking more about listening to music than about audio physics when we’re confronting gear. Or a version of the dreaded impressionism/subjectivism.

I’ve had that thought in my mind for years from where it emerged recently as I was trying to help a customer get a grasp on why he liked both JMR Orfeos and Tocaro 42's which sounded so different from each other. The customer was from this area (Massachusetts) and so I posed the following:

The Orfeos bring to mind old (1903) upholstered, woody Jordan Hall in Boston, whose acoustics let you hear everything but the everything seems to proceed from a wonderfully beguiling context. The Tocaros sound like relatively new (1968) Amherst College’s Buckley Recital Hall, which is smaller, un-upholstered, and hard-surfaced though acoustically treated, giving instruments a wonderful immediacy and clarity. Jordan Hall is not excessively warm or soft, Buckley is not in the least hard or cold sounding. But Jordan seems to give music a nineteenth century patina, while Buckley gives it a crisp, modern clarity. I love them both.

The customer said, “Yes, I get that. But I love both halls too, so what do I do?”

“Go to both,” I said with a smile.


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Topic - Speakers as Venues - Bob Neill 10:12:39 11/14/14 (19)

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